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Summer/Fall 2019

&Now & Whenever It's Needed

Issue 48

Welcome to the special &NOW issue of the Notre Dame Review. Now in its fifteenth year, &NOW is a festival that brings together poets and novelists, fiction authors, artists, critics, musicians, programmers, performers and creators of visual, found, electronic, multimedia and other hybrid forms in a celebration of readings, panels, and other performances of innovative writing. &NOW asks: what happens when writing that crosses boundaries, when new artistic forms, when text, when visual art, when music, when filmmaking, when performance, when critical theory, when tongues, when graphics, when a poem, when a play, when experiments, when literary collage, when performance scores, when sound and visual poetry, when  theater, when hyper-opera, when conceptual writing, when theory-fiction, when philosophy, when electronic and multimedia scripts, when live film narration, when ghost catching, when cutting and scratching, when installation, when bilingual, when invented languages, when super-titling, when a notepad, when spirit-writing, when a soundbite, when a computer code, when a ritual, when a bio, when re-verb, when a tag, when trance, when a confession, when a rant, when a protest, when today…. Some of the notes taken at &NOW by Brent Cox, and presented in this issue, offer insight. 

The Guardian describes the biennial &NOW Festival as the Anglosphere’s most important celebration of the literary avant-garde. Last year’s edition was held at the University of Notre Dame, and this special issue of the Notre Dame Review offers a sampling of some of the work that was presented at it, including poetry by and an interview with Douglas Kearney, who with Renee Gladman and Johanna Drucker joined a long list of featured readers. The issue contains a suite of works performed online or off-site as well as a suite of critical works presented at one of the many panels held over the course of the two-day festival. 

Together they explore the role of language in the formation of identities and social norms; they share a belief that contemporary pressures, especially at watershed moments or moments of political or existential crisis such as the one we are in, require equally outré responses. Perhaps at no time has this been more true than now: a time when the forces of racism, sexism, class warfare, and even planet-wide extinction have absorbed the formerly liberating forms of postmodernism to substitute fictions for reality, and ‘fake news’ for facts, all in defense of the status quo. The subtitle for this edition of &NOW is And Whenever It’s Necessary. Perhaps there has never been a time when the exploration of language, that traditional battleground for social norms, has seemed more necessary. To be a part of future &NOWs, look for us via social media.

Frank Rogaczewski

story

Toward Smart-Ass Proletarian Poetry

 

Vi Khi Nao

story

Pulverized Oat Wheels

 

Laawrence Coates

story

The Home They Had Always Looked For

 

Jennifer Karmin & Bernadette Mayer

poetry

Are We There Yet?

 

Analeah Rosen

poetry

Weldon Spring

 

Douglas Kearney & Patricia Hartland

interview

Douglas Kearney in Conversation with Patricia Hartland

 

Scott Rettberg & Roderick Coover

poetry and photography

Penelope

 

Christine Hume

nonfiction

Consider the Sex Offender

 

Michael Workman

performance art

Broke Moves; Intimate Conversation

Intimate Conversation and Broke Moves are written choreographies that may be performed. These work sample videos show each of the  videography by Justin Williams, and interpreted by Nicole S. Lane. Broke Moves videography by Tuli Bera, with a performance led by audience members. All performance scores by Michael Workman. Readers/viewers are invited to re-perform these scores and tag Michael Workman (on facebook and instagram: michaelworkman1) in any social media postings. More information at michael-workman.com."

Broke Moves (video link)

Intimate Conversation (video link)

Jean Dibble & John Matthias

poetry and art

After Five Words Englished from the Russian

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Emily Carr

story

Excerpt from Name Your Bird Without a Gun: A Tarot Romance

 

Paul Cunningham

story

Song of Polymers

 

Noy Holland

story

Blood Country

 

Daniel Uncapher

story

The Lion of Lincoln Park

 

Kanika Agrawal

poetry

from Okazaki Fragments

 

Brooks Sterritt

story

Excerpt from The History of America in My Lifetime: a novel

 

Aimee Parkison

flash fiction

Girl in Intelligence Test; Girl in Haircut

 

Mary-Kim Arnold

essay

Open Wounds: A Poetics of Personal History at the Point of Public Locution

 

Sarah Roth

essay

Fragments of Diagnosis

 

Anthony Enns

essay

Paratexuality and the Lost Urtext

 

Joel Katelnikoff

essay

Christian Bök Recombined: "whatever lives must also write"

 

Mark Tardi

art

Psychoacustics

“Psychoacoustics” is a project that was performed during the &Now festival held at the University of Notre Dame. Using the famed geometer H.S. M. Coxeter’s dedication and resourcefulness as a guide, I’ve tried to consider my own poetic redrawing of multi-dimensional space within a two-dimensional plane: some elements are more vigorously focused on the pictorial plane, and other elements are purely textual. Overall, the project is a multi-faced meditation on place, corporeality and consciousness in dialogue with the landscapes of Nizwa, Oman using combinations of ink, graphite, charcoal and pastel. One question that lingered in the project was: how to give voice to the pulse of geological time and a landscape indifferent to human life?

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Mike Barrett

review

Orgone Grinding and Its Discontents: The Poetry of Frank Rogaczewski

Shira Dentz

hybrid prose

Flecks; Topaz; South; Conjoined; Yellow, Gold, Amber or Red

 

Amanda Goldblatt

story

The Final Defeat of My Colonialist Body, Washington DC 2017

 

Ian Hatcher

poetry

Colony

 

S. Yarberry & Analeah Rosen

poetry

A Manifesto/ A Prolgue; The Royale, St. Louis, Missouri

 

Larkin Higgins

art

Logographic Drawings: signal/overturned; roadway/intersection; out of control/overturning; left turn/right turn/impact

 

Douglas Kearney

poetry

Ecce Cuniculus

 

Becca Klaver

poetry

Walking After Midnight or 9 p.m.; Notes for a Shrinking Future

 

Jessica Anne

story

Excerpt from I AM A FINITE JESS

 

Rebecca Goodman

story

from a Likeness of Home

 

Lauren Russell

essay

Excerpt from Descent

 

Lance Olsen

story

yellow: one hundred and seventy grams, an excerpt from my red heaven

 

Brent Cox

art

&NOW Notes: 01; 02; 03; 04

 

Steve Owen

story

Humanseed

 

Nick Montfort

poetry

Three Commodore 64 Poems

 

Daniel Magers

story

Where’s Judy?

 

Aimee Parkison & Carol Guess

flash fiction

Girl1 in Pink Flower2

 

J. I. Daniels

story

Body, Etc.

 

Mez Breeze

story

A Place Called Ormalcy

This story is a special 3D/VR story found online here. The story link above also includes chapter links.

 

martin nakell

prose

How to Survive a Bombing Raid in a Syrian Village, 2018

 

Suzanne Scanlon

prose

Resistant Narratives/Resisting Narrative

 

Richard Holeton

slide show

Afterword(s): Take a Book/Leave a Book

 

Jennifer Natalya Fink & Julie Laffin

performance

Toxic Tango

 

Suite of Critical and Nonfiction Presentations given at &NOW

Wojciech Drąg

essay

Collage and Crisis

 

Gretchen Henderson

essay

Intermedia Genres: Breathing lessons in Changing Climates

 

Becca Klaver

essay

Saying “No”: The Feminist Poetics of Refusal

 

Eckhard Gerdes

essay

Against Defining Experimental Fiction

 

Contributors